credits
released April 20, 2023
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REVIEWS:
“I love that they used the original Jerusalem cover. Definitely my favorite. The homage is stellar, too. Kudos tackling the greatest album of all time.”— @gurugoat8298
“The very fact that someone covered this legendary work of doom gives the elder gods pause. I commend the brave foolish souls who did this impossible thing.”— @sabertoothrobot
“Awesome! This is very well done, and much more sophisticated than the original, which is still a classic, of course, but a lot rawer and simpler.”— @LibrarianBarbarian
"In a stunning undertaking, The Lumbar Endeavour have ascended the holiest of riff mountains. The end result is nothing short of a masterful, invigorating homage to an icon. Guitar harmonies, keyboards, even violin (and possibly Oboe?!), lowww end notes and blistering psychedelic guitar solos...'A Holy Pilgrimage to Jerusalem' has it all. Given the vast popularity of Dopesmoker this is a courageous endeavour indeed, however this is the opposite of blasphemy. Rather, its riff reverence, a dazzlingly brilliant reworking overflowing with inspired ideas. Like the original, maximum volume yields maximum results... I mean every word. It's just nuts man, I'm neck deep into it again right now, so many cool surprises."—Hand Of Doom
“‘A Holy Pilgrimage To Jerusalem’ is a totally different thing to the original, as The Lumbar Endeavor has added different sound effects, is multi-layered, and quite progressive with different instruments being played on this version including cello, classical guitar, organ, synths, and violins that all offer a record that’s quite contemporary and classical compared to the original version. Aaron Walters adds some face-melting guitar solos that are quite vivid and freaky in places, especially on ‘Pt. Two’… it works. The album has more droned out effects, psychedelic sound and spaced out ideas, with a more ‘drugged out’ feel, when compared to the original. The instrumental work on this album is first rate from everyone involved. George’s vocals are both a respectful homage to Al Cisneros and their own thing. Aaron Edge has added a trippy Middle Eastern vibe into this record with certain sounds, themes and textures that make this one of the best cover albums I’ve heard in years! One other thing that stands out is the first rate production values, aggressively loud and also self contained when the quieter moments appear. The droned out vision of the original album remains intact here, but with a more diverse sonic attitude that perhaps die-hard fans of SLEEP will truly appreciate. This version is a bold, complex and psychedelic head-trip that is a loving homage to SLEEP and another wonderfully adventurous record from The Lumbar Endeavor—who are fast becoming one of the most interesting bands within the doom/sludge metal underground scene.”
—Steve Howe (outlawsofthesun.blogspot)
"Some things are so artistically monolithic that even those who create them are left in awe with the results. Where some would balk at any attempts to reimagine the near hour long peregrination or wail at such efforts being blasphemy, Aaron Edge, George Chamberlin and Aaron Walters of The Lumbar Endeavor take on the colossal task with blessed reverence and humble deference. This is not a practice in heresy, but a purposeful veneration of a classic. The result, 'A Holy Pilgrimage to Jerusalem', a six-part masterclass in molasses laden sludge that will have you wandering astral realms, mystical deserts, and meditatively pacing your bedroom to the Lumbar Endeavor's latest tribute for your earholes."—Mike Kaminski (Sonny, Dada, and Moloch)
"It takes an extra deal of courage and dedication to tackle a classic album, let alone one that is a genre defining one, because, honestly, how will you approach something already deemed to be at its peak form? The Lumbar Endeavor shows you how! This is an homage in its purest sense. Without deviating from the main road the musicianship shown here takes on you alternative paths. Embark on this pilgrimage with renewed faith."—CVSPE (cvspe.bigcartel)
"I recently embarked on a familiar sonic journey. A path I've walked for decades now, yet the intimacy of this particular adventure is so cemented in my psyche that hearing The Lumbar Endeavor's present release has totally blown me away... again! To cover/reimagine 'Jerusalem' or 'Dopesmoker'—as the full recording has become more known today—is truly a mammoth undertaking. The caravan of Aaron D.C. Edge & friends has managed to make this colossal album sound fresh and yet pay tribute to a band that has inspired and influenced musicians & weedians alike to blaze their own path through this riff filled land."—Pete Majors (Harassor, QAALM)
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ALBUM CREDITS:
Guitar, bass, drum kit, cello, classical guitar, organ and synth materials by Aaron D.C. Edge of The Lumbar Endeavor—recorded and mixed with him at the helm at Myelin Studio in Portland, Oregon.
Guitar leads, additional guitar texture and violin sections by Aaron Walters—recorded by Kevin Younkins at SDS Studios in Seattle, Washington.
Vocals by George Chamberlin—recorded by Sam Pinola at New Sofa Studios in Line Lexington, Pennsylvania.
Music mixed by Aaron Edge and Aaron Walters, vocals mixed into the session by Sam Pinola and George Chamberlin.
Mastered by Aaron Edge/LANDR.
Cover illustration by CVSPE.
© & Ⓟ Al Cisneros, Matt Pike and Chris Hakius of Sleep.
Sample on Pt. 1 from the 1971 film, "Weed: The Story of Marijuana".
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